Published to coincide with the First Guangzhou Triennial (opening November 18, 2002), this volume provides a systematic description and analysis of Chinese experimental art and cinema of the 90s, the subject of the Triennial. This volume consists of three parts: Part One provides an overview of 90s' Chinese cinema with seventeen scholarly essays on Chinese cinema and experimental art; Part Two is a catalogue of 130 works by 120 artists selected for the Triennial and provides an analysis in three large thematic sections centered on "History and Reality," "People and Environment," and "Local and Global"; Part Three provides a complete chronology of important events and exhibitions and a detailed bibliography, including all publicly and privately published books and exhibition catalogue of this art.
Contents:
Introduction: A Decade of Experimental Art by WU Hung (University of Chicago)
(1) 1990s Coceptual Art and Artistic Conceptualization by ZHU Qi (Independent curator/art critic, Beijing)
(2) Chinese Experimental Painting of the 1990s by YI Ying (Central Academy of Fine Arts, Beijing)
(3) Zero to Infinity: The Nascence of Photography in Contemporary Chinese Art of the 1990s by Karen Smith (Independent curator/art critic, London)
(4) The Rise and Development of Video Art and the Maturity of New Media Art by WU Meichun and QIU Zhijie (National Academy of Fine Arts, Hangzhou)
(5) Women s Art as Part of Contemporary Art since 1990 by LIAO Wen (Independent art critic, Beijing)
(6) The Periphery and Cultural Concerns: Making and Exhibiting Installation and Experimental Sculpture in the 1990s by YIN Shuangxi (Studies of Fine Arts, Beijing)
(7) Systems of Chinese Experimental Art in the 1990s by PI Li (Central Academy of Fine Art, Beijing)
(8) Experimental Exhibitions of the 90s by WU Hung (University of Chicago)
(9) Criticism on Experimental Art in the 1990s by YI Ying (Central Academy of Fine Arts, Beijing)
(10) The Reception in the West of Experimental Mainland Chinese art of the 1990s by Britta Erickson (Stanford University)
(11) Building on the Ruins: The Exploration of New Urban Cinema of the 1990s by ZHANG Zhen (New York University)
(12) Forcing Reality: Chinese Documentary, Chinese Postsocialism by Chris Berry (University of California, Berkeley)
(13) Just on the Road: A Description of the Individual Way of Recording Images in the 1990s by WU Wenguang (Independent filmmaker, Beijing)
Price: $80.75
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